Sometimes, an artist produces commissioned works, working with a patron's vision.
Sometimes, an artist produces independently, working out his own vision.
And sometimes, it seems, something happens that's a beautiful "in between."
This new work is one of those pieces.
Our Lady of Victory, 25"x9"
Ink and Watercolor on paper
Let me explain: a version of Our Lady of Victory wrought in a style inspired by the work of Alphonse Mucha. On the one hand, this was a bit of a segue from my main studio work which, as you know, is oil painting in the Boston School tradition. On the other hand, it's a strain of my work that has been growing recently, from my recent Children's books A Child's Christmas ABC Book and A Child's Christmas Counting Book, which were also inspired by Mucha, and just a general pull in the direction of the Beaux Arts master. If you've been watching my Instagram updates and following along with my newsletter, you've noticed this study of mine.
A Parisian encounter
Eleven years ago this month, I rented a tiny apartment in Paris for my honeymoon with Deirdre. It was barely large enough to fit me standing up straight; we affectionately called the spot our 'Hobbit Hole in the Sky.' When we arrived there in the 2nd arrondissement, we found that we were perched just over the little church of Notre-Dame-des-Victoires (Our Lady of Victory). Over the next few weeks of strolling the city streets, visiting museums, painting and drawing together and munching baguettes, arriving back at Notre-Dame-des-Victoires became familiar, and the church was our home base in a foreign place.
Like all the churches in Paris, Notre-Dame-des-Victoires is architecturally stunning, imbued with a historic sense of holiness, and packed with painted masterpieces. Perhaps most strikingly, there is, in a side chapel, a large statue of Our Lady of Victory which is surrounded by artistically arranged piles of crutches that were left there by crippled pilgrims -- pilgrims who prayed for Our Lady's intercession and walked away healed, leaving their walking aids behind. It was before this same statue that St. Thérèse, whose sainted parents were devoted to Our Lady of Victory, once famously prayed for discernment about her vocation. We attended daily Mass there several times and became on friendly terms with the priest who was pastor there.
At the end of our visit, this kind priest presented us with a small replica of the famous statue of the Victorious Virgin as a gift to take home with us. We were deeply touched by the gesture. We felt a special connection to this little corner of the City of Lights and a new patroness for our future family: Our Lady of Victory. The statue has always held a place of honor in our home.
A new take on the Madonna
Two years ago, I was commissioned by a patron in the Midwest to produce an oil painting of Our Lady of the Rosary (the same iconic image as Our Lady of Victory, under a slightly different title and understanding). It was an occasion to bring my little statue into the studio for study and inspiration.
That painting was settled in Indiana some time ago, but the image of Our Lady of Victory/Our Lady of the Rosary has been on my mind and heart... An ink and watercolor, "Art Deco" version needed to be born onto paper. This seemed perhaps to be a bit of a 'pet project,' a pure labor of love... something for me to go ahead and try.
But it seems that the goodness of this idea is not just inside my head. As I was sharing the work in progress through Instagram, another patron reached out to inquire about it and ended up purchasing the painting when it was about halfway done. As you can imagine, this was truly a thrill for me! To have my 'concept' adopted at that stage was very affirming and exciting.
Since then, not only have I received many more inquiries and positive feedback from many of you about this painting, but I have also had inquiries about further commissions along these lines. So, clearly, my experimental marriage of sacred art with Mucha-style technique has much territory yet to be explored -- and I can't wait to go there. If this is something that you're interested in being a part of, please be in touch to discuss a commission; I would love to have a conversation with you!
About the piece itself
You will notice the symbolism of celestial bodies in the image. Mary is Queen of Heaven and has often been likened to the Moon -- she is not the source of life herself but the perfect mirror of grace, just as the moon reflects the Sun. Here she is imagined as a Lady strong but serene, powerful through her Son but humble in herself. Her mouth is resolute but quiet; the infant Jesus is more poised to speak to us and He offers us the Rosary, that powerful prayer. All the colors of dusk and dawn are around the two figures, but they stand forth in pure light, triumphant. In the corners are stylized lilies which represent Mary's purity. And the various stone touches hearken back to the architecture of Paris. I wanted the crowns especially to stand out with extreme dimensionality and splendor.
(Bonus detail: You may notice a similarity between the face of Jesus and the face of the angel who has just carved Our Lady's title into everlasting stone... both are modeled after my little daughter Symphorosa.)
I have heard from many of you that Our Lady of Victory is a title that seems very relevant at this historical and cultural moment. Perhaps you are sensing, like me, the spiritual battle taking place around us; perhaps you're occasionally feeling beleaguered and looking to Our Lady as the fair champion we need. We know the gates of Hell will not prevail against Christ's Church. Even when we feel besieged, Mary is a heroine of this story and shares her power through the Holy Rosary.
While my original Our Lady of Victory is awaiting framing in its new home in Texas, I am making prints available for all of you because of the way this image seems to have resonated with so many.
I have worked closely with an excellent giclée print maker here in Massachusetts and am very excited to have him reproducing my work on beautiful, archival, creamy paper with slight texture that is reminiscent of the original watercolor paper. I vetted a few test options and am confident that the quality and color of these prints will be a beautiful and excellent representation of the original work!
I'm trying out a print order form for your ease and my organization.
Please click through to place your order!
Guest post by Deirdre M. Folley
Have you ever been at a loss when it comes time to choose a gift for your loved one?
Whether you're a gift-giving maven or gift-giving-challenged, I think the story of Micah's thoughtful First Anniversary gift will inspire you.
Newlyweds Micah and Megan had agreed that they would not exchange presents for their first year anniversary. John and I have certainly been in that boat! In a busy season (in this case, a baby on the way), it does take the pressure off to know that you won't disappoint your spouse if there's a mutual agreement that no gift is necessary nor expected.
But Micah had other schemes in mind.
"Megan's father is a great gift giver. He's always great about giving his wife and daughters flowers - always so on top of it. I know I cannot compete," Micah told John of the family he'd married into.
When they discussed exchanging gifts on their first anniversary, Megan agreed that Micah could give her flowers - just flowers.
"As I approached the end of the first year of marriage I wanted to give my wife something special. She loves flowers, especially ranunculus. Their rose-like blossoms have tissue-thin petals and come in a range of beautiful colors. The dilemma I faced is that these exquisite flowers fade quickly. Thus the idea was born to capture these flowers permanently." - Micah
So the commission that John received was to paint a small oil painting - one small enough to fit standing up on Megan's desk, the way a vase of flowers would be set - of her favorite kind of flower, the ranunculus.
"It was a fun occasion for me to have some beautiful, florist-sent blooms in the studio," says John, "since of course I wanted to work from life to capture these flowers with all their delicacy and liveliness." We ordered a selection of the blooms and John chose the best colors for his composition, narrowing down on just a few in order to fit their detail onto a demure 8"x6" canvas.
"Working with John on the idea was a delight and he captured their beauty and delicacy perfectly!" Micah told me, "My wife proudly displays her favorite flowers on our living room mantle for all to see and enjoy knowing they will always be in full bloom."
Of course, the final cleverness of Micah's commission is that the first wedding anniversary is traditionally observed as the Paper Anniversary; thus, the gift delivered on canvas (close enough to paper!) ties in doubly well in this case.
We were impressed with Micah's thoughtfulness in bringing this project to John, and delighted to see it come to fruition in time for a late Fall anniversary. Our best wishes to the newlyweds, now one year in!
If you're interested in commissioning your own piece, be sure to take a look at my commissions page.
If you were to plan a commissioned fine art gift this year, what would be the occasion?
It was a pleasure producing a portrait of this impressive home in Ann Arbor for a friend and his wife to give as a gift to his in-laws.
We heard from the patron that the process and product met and exceeded his and his wife's expectations and that the portrait was well-received -- always a pleasure to hear that the gift-giving went over well after putting the love into the process!
I used pen and ink and watercolor on paper for this portrait. Please take a look at my portraiture page if you're interested in learning more about your own house portrait commission!
Your child is drawing all the time; your child has a gift for cartooning; your child is asking for more materials and opportunities... You're not an artist or have never taught art -- how to respond?
Every so often I get these questions from parents of children who are obviously demonstrating early stages of artistic skill. What would I recommend they do for their child? What worked for me and what did my parents do to foster my love for and practice of the visual arts?
Many people, not having received art training themselves or feeling ignorant regarding the arts, feel ill-equipped to foster their child's talent. I want to take away some of that fear and offer some encouragement So, without further ado -- my thoughts on the matter for those parents who have a child ~5-12 years old and want to know what I think would be best for them to foster their artistic growth as part of a loving family.
I am going to focus on three areas that I think are helpful to think about for parents: lessons, gifts, and a culture of beauty in the home.
Lessons - to do or not to do?
First of all when parents think of fostering their child's artistic growth they think: lessons. The first piece of advice that I have about lessons for young kids is don't "Tiger-mom" it. Think of the mother or father who gets their 4-year old a violin and makes them practice for 2-4 hours a day. Yep. Don't do that. I know this is a pretty obvious exaggeration - most of us in our culture aren't tempted to take this extreme. But we are often tempted to over-program and over-nurture. We have a sense of parental guilt that I suspect is often driven into us for alternative motives (especially monetary, though others as well) that suggest to us that if we, as loving parents, don't give little Jimmy or Jill that extra lesson, that designer outfit, that extra gadget, trinket, or toy they will be forever stunted and it will be all our fault. Most likely something like the opposite is actually the case (see the Oscar acceptance speech by Roberto Benigni). Kids need freedom and time to explore the world, to think, and yes, to be bored! Necessity being the mother of invention, and boredom being a sure impetus to children to recognize the necessity of finding something interesting and exciting to do with their lives, boredom breeds creativity! So, long story short, don't give into the temptation to program your child's artistic interest to death! You are doing something very right if your child likes to draw - and may - for hours every day and has never been given a formal art lesson!
That being said, if there is a week long summer class or weekend workshop on cartooning, calligraphy, or oil painting in which your child has expressed interest and which you have the financial means to facilitate, that could be a good and enriching experience as well. Such workshops were certainly enriching in my experience, but my parents never forced them on me.
One thing that I think was very wise that they did was that they offered many of us 9 siblings the opportunity to go to the local community college for summer camp/day classes for 2 or 3 weeks in the summertimes when we were in grade school/middle school. We eagerly looked forward to these well-run and enriching classes in part because our parents gave us a large degree of freedom to select which courses we took - and guess what courses I chose? Speed reading, electricity/circuitry shop class, computer programming, acting, car repair, debate, and, oh yeah: calligraphy, cartooning, and oil painting.
The way that my parents approached these classes was wise for three reasons: 1) It allowed us children to "buy in" to the classes ahead of time. We were more engaged because we were able to get excited about them and select the ones that appealed to us most. Often this meant those from which we would be most ready to learn. (if your child can earn his way towards such education himself, so much the better as his motivation will be all the stronger for having paid with his own hard-earned cash!) 2) We weren't forced into a narrow course of study or constricted based on what our parents thought were our particular talents or inclinations. Often my mother was surprised by our respective choices and she might advise for or against certain classes, but she generally allowed us to choose despite her own thoughts on the matter. And if it was a dud class, it was only a week or two long for an hour or two a day and we had others to look forward to as well! 3) It helped us to realize our limitations and start to narrow down our interests on our own. There were so many awesome courses to choose from, but we could only get in 3 or 4 per summer, so the decisions sometimes were hard to make, but they also helped us realize what we loved learning about!
I can write another time about the kind of instruction that should happen when the child reaches a more mature age. At this stage, any lessons will be largely introducing the child to the materials of the medium; deeper-reaching critique and honing of skills will come later. My rule of thumb for this younger set is to respect the exploratory stage and not press the lessons.
Supplies & Gifts
The next thing I think parents often do and should be thinking about is the type of artistic tools that they give their children. Again, here it is important not to "over-nurture." Your son or daughter does not need the whole arts and crafts section from Hobby Lobby in their bedroom to be well looked after in this regard. Instead think one or two nice artistic gifts per birthday/Christmas (if you notice that your child has used the artistic gifts you gave them last Christmas/birthday or have asked for new artistic gifts). I think this is relatively easy when they are young: a nice set of colored pencils or markers/crayons and some simple coloring books (or sometimes even better: empty notebooks/sheets of scrap paper) is often a great place to start. A note on coloring books - try to get beautiful & tasteful ones - the Dover Coloring Book series is one that I have been particularly impressed with. Many varied and interesting subjects to choose from your young boys and girls that are generally drawn with good proportion and elegant lines.
As your son or daughter gets a bit older it may get to be a bit harder to think of what those next level artistic gifts for this age range could be. It could be as simple as upgrading their pencils and colored pencils to higher quality brands and materials. These twistable crayons will be more satisfying to the child whose fine motor skills are strong and for whom regular crayons are unsatisfactorily chunky for detailed drawing. Likewise, fine line Crayola markers are much more satisfying for the imaginative 5-8yo than the chunkier version that toddlers enjoy, but are still washable and not too pricey. I find Prismacolor pencils and colored pencils excellent and noticeably better than craft level pencils. Children should learn to treat their drawing pencils will care; dropping them or sharpening too roughly may damage the core of the pencil, resulting in an instrument that crumbles in fragments when sharpened. The next step up from coloring books in my experience was "Paint by Numbers" - I spent hours in delighted concentration as a young child working on mine!
Further gift suggestions for kids exploring different aspects of the artistic process:
A wood-burning set (you could also browse options on Amazon)
Dip pens & ink - carefully prepare and confine a work space with newspaper to avoid damaging ink spills!
A Winsor & Newton basic watercolor set - watercolor is neater and less toxic than oil and acrylic options. You'll need watercolor paper - for beginners, an affordable option like this or what you might find at the craft store is fine! These watercolor brushes are excellent quality for a beginner and should be carefully cleaned, dried, and stored horizontally or upright after each painting session; more economical versions at the craft store will also do quite adequate for the beginner on a budget.
A beginner's kit for pysanky
Model airplane and paints
Some whittling/woodcarving basics
Some Sculpey (this can be bought in a colored set, but the plain white can also be painted with acrylic craft paint after baking)
Many Christmases I recall immediately opening my gift, whether a dip pen, wood burner, or model airplane and spending hours immediately and over the coming months testing the limits of a new and exciting medium. I'm sure this enhanced my creative growth!
Provide a good storage plan for these supplies and emphasize the artistic virtue of craftsmanship, tidiness and care with tools and the whole artistic process. Especially if your child has a future in an art studio, he should start learning now about how to keep organized and manage all these small (and sometimes precious) parts with care. The final step to every painting day in my studio is to wash my brushes and clean my palette for an efficient start on the next day! Orderliness promotes creativity whereas sloppiness detracts from mental clarity and studio practice.
How to know when your child should be upgrading to higher-quality art supplies? One default approach is this: when he, as the the artist, can sense that the materials are holding him back from what he's envisioning accomplishing -- and when he has demonstrated that he can care properly for the lower-level art tools -- then it's time to move up a tier in quality and price.
Home Culture of Beauty
Finally and perhaps most importantly for your artistic child and your family as a whole I encourage you to have a culture of beauty in your home. This doesn't have to be a daunting task, but it does require a conscious decision and effort over time against the current of our largely utilitarian and often ugly culture.
I encourage mothers and fathers to help make their homes a place where their children will encounter and be formed in beauty in two ways that I know my parents did for me.
The first way is to have beautiful images hanging on the wall. If you are fortunate enough to be able to afford beautiful original artwork, I certainly encourage that (and of course I'm always available to help make that happen!). I also encourage framing beautiful prints of both sacred and secular subjects in your home. There is truly a wealth of beauty that our fore-fathers have passed on to us that all too often we don't experience - framed prints of these excellent paintings in the home is a true way to enrich your family. In my experience one of the works that has most shaped me growing up was the painting of St. Joan of Arc by Jean Bastien LePage. My mother had a print of it that was simply and elegantly framed. Over the years that print of that beautiful painting made a huge difference in my life. Over and over again I was drawn back to the loving craftsmanship of the artist who faithfully strove to capture the leaves, branches, twigs, facial expression, mood, mystery, and melancholy of the calling of Saint Joan of Arc, a simple peasant girl in a simple French landscape. The mystery and tension of the moment that LePage captured of the apparition of Saint Michael offering Saint Joan of Arc a sword and Saint Catherine and Saint Margaret with him -- one with her head in her own hands, a sign of her martyrdom and prefigurement of Joan's own martyrdom -- has mystified and amazed me for many years and has given me an understanding of what a great work of art should be and what it can do.
Secondly, when parents give their children books with beautiful pictures, they often give a priceless gift to the child's imagination that lasts long after the books themselves have decayed. I encourage parents to have beautiful books of Western Art in their homes of great artists and architects like Bernini, Michaelangelo, Van Eyke, Peter Paul Reubens, Caravaggio, Valazquez, Rembrandt, Titian, Palladio, Edmund Tarbell, Boticelli, and Vermeer. In addition to these, beautiful story books are extremely important - from the color fairy books of Andrew Lang illustrated by Henry Justice Ford to their Saints and Heroes recently republished by Sophia Institute Press, to the treasures of visual storytelling of Arthur Rackham and N.C. Wyeth, Howard Pyle and many other amazing illustrators from the Golden Age (see The Golden Age of Children's Book Illustration by Richard Dalby for an introduction to some of these amazing men and women and I hope you are able to track down some of their amazing work!). Certainly some modern illustrators are well worth having in your collection as well (I suppose it would be a bit pert to recommend my own work in the Child's Christmas ABC Book and Mr. Mehan's Mildly Amusing Mythical Mammals among others, but alas, it seems I have done so already!). I think of Gennady Spirin, Tasha Tudor, Peter Spier, Jesse Wilcox Smith, Charles Santore, Scott Gustafson, David Weisner and many others when I think of excellent modern illustrators whose work is well worth having in your home. For other great children's books inspiration, I recommend the Instagram accounts Pease Porridge Press and The Good Books Last.
Having such works will feed the imagination of your children with riches that will bear good fruit. I know that I encountered works in my home library that I copied for hours and learned a great deal from through admiration and enjoyment that have continued to form me as an artist and a man long after I have moved out of the house.
Treat your child's imagination like the precious clean slate that it is, and - as you do your best to give your child only healthy and nourishing food - offer that little imagination only the best! I'll conclude with a quote from Arthur Rackham, one of true greats of illustration:
"I can only say that I firmly believe in the greatest stimulating and educative power of imaginative, fantastic, and playful pictures and writings for children in their most impressionable years - a view that most unfortunately, I consider, has its opponents in these matter of fact days. Children will make no mistake in the way of confusing the imaginative and symbolic with the actual. Nor are they at all blind to decorative or arbitrarily designed treatment in art, any more than they are to poetic or rhythmic form in literature. And it must be insisted on that nothing less than the best that can be had, cost what it may (and it can hardly be cheap) is good enough for those early impressionable years when standards are formed for life. Any accepting, or even choosing, art or literature of a lower standard, as good enough for children, is a disastrous and costly mistake."
I hope that helps, at least as a starting point and some inspiration! I look forward to seeing a new generation of artistic talent arise!
What other questions do you have? What other resources for beauty formation do you rely upon? Let me know, below!
Hello there, I'm John H. Folley, an oil painter in the Boston School tradition. Thanks for visiting the Beauty Advocacy Blog, where it's my job to help you become a more discerning art appreciator.
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