Last summer I received a message via Instagram from a woman who comes from a family which, I have since gathered, takes gift-giving very seriously. Mary had a concept in mind for a Christmas gift painting for her mother and wanted me to execute it. It was my honor to do so and the result is Ex Calibur.
The driving meaning of this painting is the long and loving marriage of Mary's parents. Deirdre and I had the pleasure of visiting with Mary when she took a mini road trip to my studio in order to hand-deliver these objects which are of great sentimental value to her and her family, especially her mother. During that visit, she shared with us about the pieces and their significance.
In the painting you see an unusual sculpture that consists of two parts: a cut Steuben glass orb (if you will) and a beautifully crafted sword. The glass represents the Stone of legend and the sword is Arthur's famous weapon, Ex Calibur. Mary explained to me that this sculpture is a treasured possession and meant a lot to her parents (her father has passed away). The couple had discovered it in a shop many, many years previous but it had been outside their budget, so they kept it in mind and saved up for it while raising a large and busy family. They finally purchased it as a celebration of their 50th wedding anniversary. To Mary, seeing it is a reminder of the virtue of patience -- not to be stressed when something takes time or has to be budgeted for, since her parents waited 50 years for this gift!
The rings are her father’s Notre Dame ring and a miniature that he had made for her mother - very important to them as a dedicated ND family! (You know I appreciated this, being class of '08, myself.)
The cards are postcards which Mary and I agreed should be included in the painting. They are souvenirs from the Shrine of St. Anne in Quebec and represent the devotion Mary’s mother has to St. Anne (the mother of the Virgin Mary). Mary noted that her mother enjoys the fact that the feast of that saint falls on July 26 and that she herself also has twenty-six grandchildren.
Working on this painting was an absolute delight, as Mary was an ideal patron. She was excited to share her story and to hand off the vision while also very kindly entrusting the composition and execution to me. We had a great time communicating with her throughout the process and then hearing about how the gift had gone over at Christmastime. She told us that reflecting on the painting has even been a reminder to some of the grandchildren to visit the grave of their beloved grandfather. On a technical level, it was an interesting challenge to communicate the metal and the glass in the medium of oil paint.
It is my hope that this work will prove for many years to be a worthy tribute to a long and devoted marriage and the loving family it yielded. This world needs steadfast marriages and I was very glad to celebrate one this way.
Visit my Commissions page and read Mary’s kind testimonial here.
Perhaps you’ve noted the two coins in the center of the painting, which were my addition (with Mary’s approval). I can tell you what their significance is, but first I’d love to know what your guess is as to their meaning -- tell me your guess in the comments below!
Chesternest is named after the apartment home where my wife Deirdre and I grew our family from one child to three. We called our apartment 'The Chesternest' because of its location in Manchester, NH as well as the fact that Deirdre was in 'nesting' mode when we moved in, as we were expecting our second child. Being on the second floor of a three-family home, we felt "nestled" into our spot above a street where we came to make many friends and share a beautiful season of our life.
That home, which we left this past spring, was filled with happy memories including the more than three years of my drawing and painting training under Paul Ingbretson, many hours spent playing with our little ones, and hours of friendship and parties with other families from the neighborhood. It was our cozy nook for a young family in a small city.
I hope this painting communicates some of that feeling.
Among the elegant ceramics and delicate dried hydrangea blossoms, a small porcelain bluebird is making its nest inside a stacked teacup. The blue and red-browns and yellows that predominate this painting have an air of calm and quiet about them. They are subtle rather than loud. There is a sense of stillness and perhaps even distance about this still life that I hope will remind the viewer of the peace of a home. The blue china cups and plates that are stacked and scattered throughout the painting are actually from the set of dishes we used as a family on a daily basis for our meals, and are artifacts weighed down with the memories and happiness of those days for me.
Information for collectors: Please see further details about Chesternest on the Still Life page.
Hello there, I'm John H. Folley, an oil painter in the Boston School tradition. Thanks for visiting the Beauty Advocacy Blog, where it's my job to help you become a more discerning art appreciator.
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