Now that this painting, which was commissioned for a fundraiser effort, has made its way to its final destination via an exciting in-person auction, I am free to make the official reveal: 

As I mentioned, this painting was commissioned for a fundraiser, in this case for the group Young Catholic Professionals.

The folks at YCP and I were in talks about this painting long before we knew that this year would be declared by Pope Francis as the Year of St. Joseph. The conference was originally scheduled for last September, but of course was pushed out until this spring. In the end, the timing was auspicious, as the Conference took place over the weekend of May 1, feast of St. Joseph the Worker. 

In the process of this painting, I was certainly meditating on St. Joseph the Worker. I tried out different poses with my model, considering painting the Saint with his hammer and square to emphasis his carpentry. St. Joseph the Worker is absolutely my patron in my studio and I am devoted to him especially as the model man who provides for his family with hands-on work. In the end, I chose to paint St. Joseph with his flowering staff. His head down, his brow somewhat furrowed, his mind pondering the tasks placed before him and his heart in prayer, he eventually emerged to me as a man most humble. Hence the title. 


I had the pleasure of traveling to Dallas, TX for YCP's annual conference and presented this work at the VIP reception before the concluding gala. 

Thanks, Jennifer!

After the unveiling, I painted on my signature as the very final step to complete this work. 

Here's a shot of the winner (left) and the gentleman who graciously agreed to let this painting go in exchange for a whole separate commission. So another St. Joseph painting will soon be underway!

The auction was very exciting, with two bidders eventually getting into a bit of a war over the piece! After considerable back-and-forth, time was running short. The auctioneer made the suggestion on the spot: would I be willing to paint a second painting for the runner-up? I agreed, and in the end, you might say, the painting sold not once, but twice to benefit YCP. 

And then to make it even more complete, a priest was available to give the painting a blessing on the spot! So the artwork was able to go to its new home all ready as a blessed object to aid in prayer and devotion. It was perfect! 

Many thanks to my model, an excellent study for St. Joseph -- my brother-in-law. We had a good - if quiet - time in the studio to make this come to life. 

As part of the Big 5 Event I'm running during the month of May for the members of my private email list, I'm celebrating the collection fo children's books I have in publication thus far: 5 major works as well as a handful of smaller projects.

As I've mentioned before, I think the quality of what we hand our children to read is very important. In our household, we "just say no" to children's books that have garish, unharmonious, ugly, or otherwise unpleasant illustrations. 

Although illustrating children's books is a departure from my fine art work, the creative process that goes into these works is just hard for me to turn down! You can thank my friend Matthew Mehan for really getting the ball rolling when he roped me into Mister Mehan's Mildly Amusing Mythical Mammals. Since then, opportunities for illustration have been beckoning, and I've had the chance to answer for the ones you see here below. 

Without further ado, a compendium of my illustrated work thus far!

Click through to read all the reviews on these engaging works by Kathryn Swegart!

Not too long ago I was a guest on the show The Brothers F Bookcast with my friend Francisco and his brothers. They invited me to pick an art-related topic for discussion, so I went with a short story by the incisive Dorothy Sayers. 

We had a fun time. You can have a listen here: ​https://www.thebrothersf.com/episode/dorothy-sayers-making-art-with-john-folley-

Let me know what you think if you listen! Literature fans may want to add The Brothers F to their regular list!

Live Wedding Painting - also known as Live Painting or Event Painting - is something that John and I talk about so much that we forget that many people haven't heard of it and don't know what it is. We expect that that will change quickly, however, as the trend is on the rise! In a few years, running into an artist mid-painting at a wedding or other event may not be as surprising as it is now, but it's sure to cause a stir no matter what!

Hiring a Live Wedding Painter or Live Event Painter is somewhere between hiring a photographer and hiring an entertainer (like a juggler or a musician) -- only you end up with an heirloom-quality work of art commemorating your big day! To help explain, I'll run through a few of the most common questions we get about John painting live at events and weddings: 

"What is this 'Live Painting' you speak of?"
John is hired to arrive at an event as a vendor, set up his easel and paints, and paint a painting right there in front of guests! Most often, this is for weddings, where the couple is looking for a crowd-pleasing add-on to the cocktail hour or reception and also want to have a work of art that depicts their wedding day. It is both entertainment at the event and a beautiful finished product to cherish after the fact. 

Does John really paint live? 
Yes! John's training in the Direct Approach actually makes him particularly suited to observe life in front of him quickly and comprehensively and efficiently transfer his vision to the canvas. He paints what he sees in real time while he's there, and then completes the painting with any necessary finishing touches back at his studio after the fact. He'll snap a few photos while he's there to make sure he has the visual information he needs to complete the painting, but most of the work is done right there, at the event. 

Can guests watch John while he works?
​Yes, and ask him questions, too! John is totally comfortable painting live in front of event guests, chatting and answering questions while he does so. We often hear that one of the favorite things people love about having John at their events is how much interaction there is between him and their guests, making the event that much more fun and memorable! We think it's a great ice-breaker at a party: if you have a moment between things at a reception, checking in on the progress of a painting and chatting with a friendly fine artist is always fun, and you'll be sure to have something about which to talk to other guests! 

What sets John apart from other Live Painters? 
Most Live Painters work in acrylic paint because it is a fast-drying medium, and some do Live Painting as their full-time job. Some Live Painters hand the painting over to the new owners that same night.
John, however, is a Classically-trained artist and works in oil paint, with Live Painting being just one part of his professional art business. Oil paint dries more slowly and needs to set, which is why John will take the painting back to his studio even if it is complete at the end of the night. He then varnishes it to ensure the most vivid color, which then involves a bit more drying and setting. While there's more of a wait time with John's artwork, the result is museum-quality fine art with a longevity worthy of a true heirloom piece (as oil paint is more stable over time than acrylic). We say that the delivery time is 4-12 weeks after the event, with the usual delivery generally being more like 4.
Furthermore, when you're hiring John for Live Painting (as with any of his artistic services), you're hiring a Classically-trained artist who will bring his Boston School vision along with him. He doesn't rely on pre-fab models in his head, he just honestly paints what he sees, with a focus on the light and color before him. Not every Live Painter who can capture the feel of an event on canvas and entertain guests also has a fine art portfolio of timeless quality. As he continues to do more and more Live Painting events, I expect his paintings will grow increasingly beautiful with his experience. 

Where do John's events usually take place? 
​John is currently receiving requests for weddings and other events from across Massachusetts, from western Mass to all over Cape Cod (with, of course, lots of interest in Boston!). He also is sought from Maine, New Hampshire, Vermont, Rhode Island, and Connecticut for weddings, with occasional requests from New York and New Jersey. While most clients prefer to look for a local wedding painter, you may find that you don't have a painter near you or that you particularly want John's style -- in which case, get in touch because we can arrange for John to travel to you! 
When it comes to corporate or non-profit clients whose mission is aligned well with John's, he's especially up for travel to be of service at a gala, fundraiser, retreat, or other such event. 

How much does Live Wedding Painting cost? 
If you are searching around for a Live Painter for your wedding or event, you will see a range of prices. Depending on the artist's market, number of years of experience, and travel costs, you will pay a Live Painter between $600-$6000.
John's Live Painting prices are a great value, as he is relatively new on the market and especially considering the quality of his oil paintings. Depending on where their weddings are taking place and what they're looking for, local clients of John are currently paying $1400-$3500. Pricing for non-wedding events tends to look a little different, as the needs are different. 
When you consider that you're getting entertainment for an event wrapped up with a personal fine art commission, you can see the value!

Click here to see John's Live Painting page.

Are there other questions I still haven't covered? Let me know below!